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My Heart Will Never Forget How To Feel I'll Dream This Real Myself And Adrift I'll Dream​.​.​.

by Heartfeltself

supported by
Gemma
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Gemma A rare piece of history from Australia's early 2000s emo scene. Absolutely worth a listen. Favorite track: The Heston Class.
Justin Evans
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Seamus Johnston
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araj
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The Commonly Insane
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Chris Anning
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spencercarling
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shieldeh
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cstvt
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Katheryn Bryson
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rollsouth
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Artemis
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1.
The Heston Class 04:15
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2.
Surftown | New Year's Grief 04:17
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3.
A.W.O.L. on a Kontiki Tour 04:34
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4.
Talk Thin Walls 02:53
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5.
Lost is... 03:18
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6.
Heartfeltself 09:59
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about

Originally self-released on Compact Disc, 2002. Recorded by Mark McCormack at St. Andrews, January 2002. Mastered by Joe at Crystal Mastering

HEARTFELTSELF were Rohan Rebeiro, Caley Groves, Ben Andrews, Liam Andrews. Live sound by Jarod J. Nelson. From Melbourne, VIC. Circa 200-2002

Members of MY DISCO, DAYS OF IRIS, AGENTS OF ABHORRENCE, BLARKE BAYER, MAGNETICS, KANGAROO SKULL, COLDITZ GLIDER etc.

"With the best part of these two years spent playing our hearts out, sharing the music in the lights - the only thing that makes me happy in life, playing with the best musicians and friends I've ever made to people's open hearts and firmly pressed palms held up towards the lights. This has never been about anything less than the most sincere and heartfelt gestures I'm ever able to give. I'll remember what was said, sung, written and played in these two years of compassion and commitment to something that started off as an idea to write music and turned into sharing this cathartic gift of sound to anyone who has been amazing enough to listen. All the colours and the sounds and the music in the lights and the laughter I'll remember what was said. Thanks for listening, we were heartfeltself." 2000-2002

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credits

released February 1, 2002

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Home Taping Killed Music Sydney, Australia

An initiative by Black Wire Records to archive, share and make freely available (or by donation) orphaned, out of print, underappreciated or otherwise forgotten Australian recordings of the pre-streaming age

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